The Last Word

  The Last Word

  hanif kureishi

  Table of Contents

  Landing Page

  Title Page

  Dedication

  One

  Two

  Three

  Four

  Five

  Six

  Seven

  Eight

  Nine

  Ten

  Eleven

  Twelve

  Thirteen

  Fourteen

  Fifteen

  Sixteen

  Seventeen

  Eighteen

  Nineteen

  Twenty

  Twenty-one

  Twenty-two

  Twenty-three

  Twenty-four

  Twenty-five

  Twenty-six

  Twenty-seven

  Twenty-eight

  Twenty-nine

  Thirty

  Thirty-one

  Thirty-two

  Thirty-three

  About the Author

  By the Same Author

  Copyright

  For Carlo

  One

  Harry Johnson gazed out of the window of the train at the English countryside and thought that not a moment passed when someone wasn’t telling a story. And, if his luck held for the rest of the day, Harry was about to be employed to tell the story of the man he was going to visit. Indeed, he had been chosen to tell the whole story of this important man, this significant artist. How, he wondered, with a shudder, did you begin to do that? Where would you start, and how would the story, which was still being lived, end? More importantly, was he, Harry, capable of such a task?

  Peaceful England, untouched by war, revolution, famine, ethnic or religious disturbance. Yet if the newspapers were correct, Britain was an overcrowded little island, teeming with busy immigrants, many clinging to the edges of the country, as on a small boat about to capsize. Not only that, thousands of asylum seekers and refugees, desperate to escape disturbance in the rest of the chaotic world, were attempting to cross the border. Some were packed in lorries, or hung from the undercarriages of trains; many were tiptoeing across the English Channel on tightropes slung across the sea, while others were fired from cannons based in Boulogne. Ghosts had it easy. Meanwhile apparently, since the financial crash, everyone onboard the country was so close together and claustrophobic they were beginning to turn on one another like trapped animals. With the coming scarcity – few jobs, reduced pensions, and meagre social security – people’s lives would deteriorate. The post-war safety Harry and his family had grown up in was gone. Yet, to Harry now, it seemed as if the government was deliberately injecting a strong shot of anxiety into the body politic, because all he could see was a green and pleasant England: healthy cattle, neat fields, trimmed trees, bubbling streams, and the shining, early spring sky above. It didn’t even look as though you could get a curry for miles.

  There was a whoosh, and beer spattered his face. He turned his head. Rob Deveraux, sitting opposite Harry and cracking open another tin, was a respected and innovative publisher. He had approached Harry with the idea of commissioning him to write a biography of the distinguished writer, Indian-born Mamoon Azam, a novelist, essayist and playwright Harry had admired since he was a teenage book fiend, a nerdy connoisseur of sentences, a kid for whom writers were gods, heroes, rock stars. Harry was immediately responsive and excited. After years of study and obedience, things were turning good for him, as his teachers had predicted if he concentrated his thoughts and zipped his fly and lip. This was his break; he could have wept with relief and excitement.

  He deserved it, he reckoned. A couple of years before, in his late twenties, Harry had published a well-received biography of Nehru containing much new material, and although the familiar story had now, in the modern manner, to be lightly spiced with interracial copulation, buggery, alcoholism and anorexia, the work was considered, on the whole, to be illuminating. Even the Indians liked it. For Harry it had been ‘homework’. He was reviewing books and teaching now, while looking for a new project to invest his creative passion, energy and commitment in; something, he hoped, that would make his name, launching him into the public world and a rosy future.

  Today, on a bright Sunday morning, Harry and Rob were on the train to Taunton to visit Mamoon at the house where the legendary writer had lived for most of his adult life, sharing it now with his second wife, Liana Luccioni, a spirited Italian woman in her early fifties. The world from the window – his England – would have kept Harry calm and easy, except that Rob, like a boxing coach, insisted on coaxing and goading his boy in preparation for the fight ahead.

  Rob was explaining that it was both an advantage and a nuisance writing about someone who was alive. The subject himself could help you, he said, as Harry dabbed beer from his face with his handkerchief. The past might take on new tones as the subject looked back – and it was Harry’s job to inspire Mamoon to look back. Rob had no doubt that Mamoon would help Harry, since Mamoon had finally recognised that the book was becoming essential. Liana was proving to be extravagant, if not more expensive and, indeed, explosive than any woman Mamoon had experienced before. Rob had said it was as if Gandhi had married Shirley Bassey and they’d gone to live in Ambridge.

  Mamoon had been much respected by the literary world, as well by as the right-wing newspapers. He was, at last, a writer from the Indian subcontinent they could like, someone who thought domination, particularly by the educated, informed and intelligent – people, oddly, who resembled himself – was preferable to universal stupidity, or even democracy.

  But being too cerebral, unyielding and harrowing to be widely read, Mamoon was becoming financially undone; despite the praise and the prizes, he was in fiscal turnaround. Currently he was in the process of selling his archive to an American university. Before it also became necessary for him to remortgage his house, his wife and his agent had agreed that the best way to perk up his quiet career – Mamoon had become the sort of writer of whom people asked ‘Is he still alive, do you know?’ – was for a ‘controversial’ new biography to be published with, on the cover, the subject as an irresistibly handsome and dangerous young man. The sharp, memorable image would be as important as the words: think Kafka, Greene, Beckett, writers whose taciturnity never stood in the way of a hot, moody photo. This, then, was the book Harry would write. The biography would be an ‘event’, a ‘big bang’, accompanied, of course, by a television documentary, interviews, a reading tour, and the reissuing of Mamoon’s books in forty languages.

  On the other hand, continued Rob, the fact the author was alive could inhibit a biographer. Rob had met the man about a dozen times; and he said that Mamoon, to his credit, was more Norman Mailer than E. M. Forster. Inhibition, Rob reckoned, was something Harry needed none of here. It wouldn’t suit the subject.

  On his side, Harry considered Rob to be more of a Norman Mailer than Mamoon, who had seemed restrained and dignified on the one occasion Harry had met him. Rob was a dishevelled unshaven brilliant maverick, who usually smelled of alcohol. Today he had turned up actually drunk and began drinking beer the moment they got on the train – while eating crisps continuously, bits of which adhered to his face and clothes like flakes of dandruff. Rob considered writing a form of extreme combat, and humanity’s ‘saving grace’. For him, the writer should be the very devil, a disturber of dreams and wrecker of fatuous utopias, the bringer-in of reality, and rival of God in his wish to make worlds.

  Now Harry nodded gravely across the table at Rob, as he always did; he didn’t want to betray any alarm.

  If Harry thought of himself as a cautious if not conservative person, Rob appeared to encourage h
is authors towards pugnacity, dissipation and ‘authenticity’ for fear, some thought, that the act and art of writing, or even editing, might appear ‘artistic’, feminine, nancy, or, possibly, ‘gay’. Never mind Mamoon, Harry had heard numerous tales of Rob’s ‘sociopathic’ tendencies. He didn’t go into the office until five in the afternoon, though he would stay there all night, editing, phoning and working, perhaps popping into Soho. He had married, not long ago, but appeared to have forgotten that wedlock was a continuous state rather than a one-off event. He slept in different places, often in some discomfort and with a book over his face, while appearing to inhabit a time zone that collapsed and expanded according to need rather than the clock, which he considered to be fascist. If he became bored by someone, he would turn away, or even slap them. He would cut his writers’ work arbitrarily, or change the title, without informing them.

  Not that Harry had minded about the tales of madness, being aware that it is only the insane who achieve anything significant. Besides, Rob’s publishing outfit had won numerous big prizes, and Rob was powerful, persuasive and potent. Having lunched and chatted with him at parties for five years, Harry couldn’t say, until today, that he’d witnessed much debauchery himself. Rob had the hippest list in London, and was as much an artist as an innovative movie or record producer. He made things happen and took risks; he was said to be ‘lateral’. Harry had never dreamt that Rob would invite him to work with him. Not only that, Rob would pay Harry a substantial advance for this book. If Harry borrowed money from his father, he should be able to afford the deposit on a small house he wanted to buy with Alice, his fiancée, whom he’d been seeing for three years, and who had moved into his bachelor flat. They had talked about having children, though Harry thought they should be more settled before committing to this.

  It had occurred to Harry, in the last year, at least, as he matured, that he needed to be well off. It wasn’t his first priority, which was to be serious, but he was beginning to see that his list of life achievements might have to include a hefty amount of money in the bank, a token of his status, ability and privilege. Rob had volunteered to help with this, aiding Harry on his journey. It was about time. ‘I am your Mephistopheles, and I pronounce you now officially rock ’n’ roll,’ Rob had said. ‘The day will come, of course, when you will have to thank me for this. And thank me hard. Perhaps you might gratefully kiss me on the lips, or give me your tongue.’

  As the train drew them closer to the meeting, Rob’s instruction was that Harry should write ‘as mad and wild’ a book as he could. This would be Harry’s breakthrough. He should practise his autograph; he would be feted at literary festivals in South America, India and Italy, appear on television, and give well-paid talks and lectures on the nature of truth and the biographer’s servitude to it. It would be his ticket to ride. If you wrote one successful book, you could live in its light for ten years.

  ‘Let’s not get carried away. It’ll be a fire-walk.’ Rob gulped at his beer. ‘The old man will exasperate you with his stubbornness and taunting. As for his wife, you know she can be sweet and amusing. But you might have to sleep with her, otherwise she could smoke you down like a cigarette.’

  ‘What? Why?’

  ‘In Rome, where she lived, and where she grabbed Mamoon, she was known as a man-eater who never passed on a meal. And you are a hog with a keen snout, when it comes to sniffing out the truffle of a woman.’

  ‘Rob, please—’

  The editor went on, ‘Listen up: that clever old sly fox Mamoon might seem dull and dead to you, and indeed to everyone, including his own family.’ He leaned forward and whispered, ‘He comes on like someone who has never knowingly given pleasure to a woman, someone who has never loved anyone more than himself. He has stolen a lot of enjoyment. He has been a dirty bastard, an adulterer, liar, thug, and, possibly, a murderer.’

  ‘How common is this knowledge?’

  ‘You will make it known. Extreme biography: that is your job.’

  ‘I see.’

  ‘Marion, his ex-mistress, a Baconian torso on a plank, is bitter as cancer and spitting gobbets of hate to this day. She lives in America and not only will she see you, she’ll fly at you like a radioactive bat. I’ve organised your visit – some people accuse me of being a perfectionist. There is also the fact he drove his first wife Peggy over the edge. I’m sure he wrapped oranges in a towel and beat her blacker and bluer than a decayed Stilton.’

  ‘He did?’

  ‘Investigate. I’ve insisted you have access to her diaries.’

  ‘He agreed?’

  ‘Harry, the Great Literary Satan is weak and woozy now like a lion hit with a monster tranquilliser. It’s his time to be taken. And it’s in his interest to co-operate. When he reads the book and learns what a bastard he’s been, it’ll be too late. You will have found out stuff that Mamoon doesn’t even know about himself. He’ll be dead meat on the skewer of your insight. That’s where the public like their artists – exposed, trousers down, arse up, doing a long stretch among serial killers, and shitting in front of strangers. That’ll teach ’em to think their talent makes them better than mediocre no-brain tax-paying wage slaves like us.’

  According to Rob, the publishers would sell the ‘juicy’ parts of the book to the Sunday newspapers; it would be reviewed internationally, and there could be excellent sales in numerous languages. And again, when Mamoon died – ‘I hope,’ said Rob, not someone to miss an opportunity, ‘in about five years’ time’ – the book would sell once more, with a new chapter ripping through the author’s final flirtations, last illness, death, obituaries, and the unacknowledged children and, of course, mistresses who would flock to the funeral, and then to the newspapers, thrashing at their breasts, pulling out their hair, and preparing their memoirs as they fought amongst themselves.

  The train rolled through graveyard towns, and Harry found his body rioting at the thought of meeting Mamoon today; indeed, he felt afraid of the whole project, particularly since, as Rob drank more, he kept repeating that this would be Harry’s ‘break’. Rob ‘believed’ in Harry but had gone on to insist Harry was far from fulfilling his potential, a potential which he, Rob, had recognised against considerable opposition. With Rob a kiss was usually followed by a clout.

  ‘I have been priming Mamoon for you, man,’ Rob added, as the train approached the station.

  ‘Priming him how?’

  ‘He’s been told you know your stuff, and stay up for nights reading the densest material, Hegel, Derrida, Musil, Milton . . . er . . .’

  ‘You’ve said I understand Hegel?’

  ‘You’re not an easy sell. I was starting from zero with you.’

  ‘Suppose he asks me about Hegel’s dialectic?’

  ‘You’ll have to give him an overview.’

  ‘What about my first book? You must have sent it to him.’

  ‘I had to, finally. But it had its longueurs, even your mother would agree. The old man struggled to get through the introduction and had to lie down for a week with Suetonius to clean his palate. So reach the new level, man, or you’ll be so fucked you’ll have to get work as an academic. Or even worse—’

  ‘Worse? What could be worse than a former polytechnic?’

  Rob paused and glanced out of the window before delivering the news. ‘You’d have to teach creative writing.’

  ‘Please, no. I’m not qualified.’

  ‘Even better. Imagine being lost forever in a dark forest of uncompleted first novels that require your total attention.’ He gathered his rags and got up. ‘I see we’ve arrived at the wasteland! Look outside – look at this bog, peopled by tattooed dolts, gargoyles and turnip heads sniffing glue. The horror, the horror! Are you ready for the rest of your life to begin?’

  Two

  Mamoon’s pretty house, much altered in the last seven years of this marriage, was at the end of a winding potholed track surrounded by flat countryside, a good tranche of which Mamoon had bought up and now rented
to local farmers who used the land to make hay. His land was surrounded by an electric fence, to keep deer off. The original house had been purchased in the seventies for Mamoon and his young wife Peggy, by her parents. Peggy had died, a furiously aggrieved alcoholic, twelve years ago, and a couple of years later, Liana, whom Mamoon had been seeing only for a few months, strode through the door bearing her suitcases.

  Since then one small outhouse had been restored as Mamoon’s work room. Another run-down barn apparently housed his unused books, copies of his own works in numerous languages, and a disorganised archive, but nobody had been in there for some time. A ‘studio’, where she would write, paint or design, was semi-built for Liana, but remained unfinished, and she used it to dance in. Liana had also been planning, with an architect, a further extension for guests. It was partly this development, along with all the work she’d had done to the house itself, which had busted Mamoon, forcing him to say that if things didn’t improve, he’d have to work for a living.

  Mamoon himself, now in his early seventies, stood waiting for them in the yard with Liana and Yin and Yang, their two young, barking springer spaniels. A handsome and seemingly strong man still, with a wide chest, goatee beard and black eyes, Mamoon was diminutive and dressed in tweedy English country clothing, greens and browns. Liana appeared to be dressed almost entirely in fur, the tails of dead animals dripping down her chest.

  The couple greeted their guests warmly, but it was clear, as Rob fell out of the taxi and gazed deferentially at Mamoon, that Mamoon wasn’t interested in him: Mamoon, to Harry’s satisfaction, gave Rob one of the scathing grimaces he was famous for.

  Rob lurched away to shout at people on the phone. Then, while Liana went off to cook, Rob hurried towards the sofa in the living room, dragging a rug from the floor and plunging under it. ‘The fresh country air always relaxes me. Don’t let it happen to you,’ he said, passing out. ‘And – make sure you impress him.’